Publications
“Training Dancers.” Arts Houston, vol. 2, no. 12, HDI Publishers, Dec. 2001, Houston.
“Not” (monologue). Family Matters: dissonance, deviation, confusion, connection, compiled by Elizabeth Gilbert, 2001.
“Life Museum, Part I: Feet” (text for dance). Family Matters: dissonance, deviation, confusion, connection, compiled by
Elizabeth Gilbert, 2001.
“Shock Value.” Lessons Learned: A Multicultural Perspective, compiled by Gaye Lang, Ed.D., Emancipation Press, 1999,
Waterbury.
“A New Order of Priests.” Gnosis, A Journal of the Western Inner Traditions, no. 45, 1997.
Reproduction rights, SIRS, Inc., Renaissance Electronic Database, 1998.
Smoley, Richard. Inner Christianity, A Guide to the Esoteric Tradition, Shambhala Publications, Inc., 2002, pp. 40, Boston.
Smoley, Richard. Inner Christianity, A Guide to the Esoteric Tradition, Shambhala Publications, Inc., 2002, pp. 224, Boston.
Text Written for Choreography
2018 "Sara’s November Project", Fieldwork, studio presentation, The MATCH
Text for chanting in interdisciplinary work-in-progres.
2014 "Aerial Study #2", Twelve Minutes Max, Dance Source Houston, The Barn
Libretto spoken by actress in opera scene.
2011 "Beyond the Molting Season", Dancepatheatre, Big Range Dance Festival, Barnevelder
Text for portions of interdisciplinary collaboration with Lindsey Thompson, Natasha Manley, Neil
Ellis Orts.
2010 "Tuesday (Excerpt)", Dancepatheatre, Texas Dance Improvisation Festival, Barnevelder; Also shown
in Fieldwork Showcase, Barnevelder
Text written for recorded accompaniment.
2006 "Life Museum, Part VII: Breasts X Censored", Dancepatheatre, BRDF
Some of this text was for recorded accompaniment.
Some of this text was performed live.
2006 "The Cosmic Planetary Show, Dancepatheatre", Young Audiences of Houston
Text for recorded accompaniment for educational program.
Script for dancers to perform live.
Multiple performances in schools annually through 2009.
2005 "Life Museum, Part VI: Calves", Dancepatheatre, Fieldwork Showcase
Some of this text was for recorded accompaniment.
Some of this text was performed live.
Also performed in Big Range Dance Festival, Barnevelder, 2006.
Also performed in Caution: Women at Work, 2009.
2003 "Life Museum, Part V: Ears", Dancepatheatre, Life Museum, Barnevelder
Text for recorded spoken accompaniment mixed with recorded, commissioned instrumental
music by composer Sharon Joy.
2003 "Life Museum, Part III: Le Derriere", Dancepatheatre, Life Museum, Barnevelder
Monologue for choreography.
2001 "Not", Dancepatheatre, Family Matters, MidTown Art Center
Monologue.
Also performed in Life Museum production, Barnevelder, 2003.
Also performed in Caution: Women at Work, Barnevelder, 2009.
Also performed for Center for the Healing of Racism 18th Annual Juneteenth Ally Award
Bar-B-Que Luncheon, United Way, 2010.
2000 "Life Museum, Part I: Feet", Dancepatheatre, Fieldwork, DiverseWorks
Text for dance for two women.
Also performed in Family Matters, MidTown Art Center, 2001.
Also performed in Field Day, Chicago, Il, 2002.
Also performed in Life Museum, Barneveler, 2003.
1996 "Redemption Dance", collaboration with composer Ray Dillard, UDT
Text for one dancer.
1993 "Prelude to Night Sky", New Haven Series
Text for one dancer.
Also performed in Life Museum, Dancepatheatre, Barnevelder, 2003.
1991 "Search for the Knight of Swords", Several Dancers Core’s Six Contemporary Choreographers
Text for recorded accompaniment.
Text Arranged for
Dance Accompaniment
2010 "Letters You Wrote", Dancepatheatre, The Magnolia Ballroom
Selected texts for actors to read for live accompaniment.
2007 "The Desirability of Babies: A Landscape", Dancepatheatre, concert length work, Artist Residency at
Diverse Works
Selected and arranged excerpts from recorded interviews for recorded accompaniment.
2003 "Life Museum, Part IV: Legs", Dancepatheatre, Life Museum, Barnevelder
Selected and arranged excerpts from recorded interviews to mix with commissioned music by
composer Aaron Hermes for recorded accompaniment.
Also performed at Weekend of Texas Contemporary Dance, Miller Outdoor Theatre, 2006.
1997 "El Cerrojo (The Door Latch)", University Dance Theatre; Cullen Performance Hall.
Arranged English and Spanish translations of biblical excerpt for recorded accompaniment.
As a student work was also performed by UDT in American College Dance Festival competitive
regional showcase, 1998.
Also performed by UDT in National American College Dance Festival finalists’ competition, Kennedy
Center, Washington, D.C., 1998.
Professionally performed by Chrysalis Dance Company, which leased performing rights for the
2000-2001 season.
As Dancpatheatre repertory work:
Included in University of Houston televised course, Choreography in Action, Professor Karen Stokes,
2002.
Also performed in Life Museum, Barnevelder, 2003
Also performed in Texas Weekend of Contemporary Dance, Miller Outdoor Theater, 2003.
Also performed in Memories of Spain, Dancepatheatre, Zilkha Hall, Hobby Center for the Perform-
ing Arts, 2009.
1994 "The Way of the Word", Twelve Minutes Max, Diverse Works
Co-selected and arranged text for two dancers with collaborator Laura Steckler.
Also performed in student production Collaborations Dance/Music Concert, Cullen Performance
Hall, 2003.
Storyline Co-developed with Composer for Music-Dance Production
2007 "Al Andalus! The Legend", Dancepatheatre, concert length production, Barnevelder
In collaboration with composer and music director Sharon Joy, researched and selected characters
from historical figures to develop and outline an original story for a musical-dance work.